(Photos by Annie Paladino.)
In this week's review podcast, Benjamin Wachs and I duked it out over Tontlawald, an ensemble-created experimental production of an Estonian fairytale, at the Cutting Ball.
Learning from our last podcast, I prepared a lot more: I organized my notes and even wrote out full sentences in advance.
But in editing our recording, Benjamin and I decided to delete a lot of my prepared material: it just didn't sound right when read aloud. Listeners, evidently, are less patient with description than readers are.
This production was all about aesthetics, and they were absolutely stunning. I only wish we could have found a way to convey them more fully.
Clearly, I still have a lot to learn about the two media's different conventions.
Tontlawald continues through Mar. 11; info here.
What admirable patience you show for a curmudgeonly partner. Though I have a sneaking feeling your "nostalgia for college a capella" might have exerted an undue influence over your opinion of the show...
ReplyDeleteThanks for listening! I'm preparing to give a lecture on women in comedy right now, and I worry that in this podcast I fall into the "Dumb Dora" type, of Gracie Allen/George Burns vintage. If that's true, it was induced as much by the music as it was by the ribbon cage!
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